Ghost Women in Barcelona

My eye keeps finding more images for my Ghost Women series. This time, on the walls along the streets and alleyways of Barcelona.

In this one I was seeing two couples–but their relationships are quite different. Perhaps one couple (upper) has managed to find accommodation and contentedness while the other (lower) is dealing with resentments, fears, perhaps even abuse?

Ghost Women, #51. Barcelona, 2017
Ghost Women, #51 (Dos Parejas, Un Contraste). Barcelona, 2017


Can you see the face of self-destruction in this next photograph? Torn and disfigured…disappearing…perhaps due to unspeakable childhood traumas…the effects of an addiction…

Ghost Women, #52 (Autodestruction). Barcelona, 2017
Ghost Women, #52 (Disappearing Self). Barcelona, 2017


Apparently comfortable, happy and healthy in their own skins in this urban space–what are their stories?

Ghost Women, #53 (What is their story?). Barcelona, 2017
Ghost Women, #53 (What is their story?). Barcelona, 2017



Ghost Women, #55 (Deserving of Respect). Barcelona, 2017
Ghost Women, #55 (Deserving of Respect). Barcelona, 2017

On The Road (Again)

Just Another Urban Sculpture (The Horse Before the Cart). Barcelona, Catalunya, 2017
Just Another Urban Sculpture (The Horse Before the Cart). Barcelona, Catalunya, 2017


For us, back to Barcelona…for Sal Paradise, it was back and forth across the United States.

The beat goes on. Can you dig it?

IMHO, here is the best single sentence from Jack Kerouac’s, On The Road:

“And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was a complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiances shining in bright Mind Esence, innumerable lotus-lands falling open in the magic mothswarm of heaven.” (Chapter 10)

In response, I would quote:

“You said a mouthful, Doc.” –Seldom Seen Smith, The Monkey Wrench Gang, (Edward Abbey, 1975)

Longmont Neo-Topgraphics

The march of progress continues along a southern section of Airport Road in Longmont, Colorado (as it does all along the entire Front Range). The constant drone of generators and the pop-pop-pop of the air guns as they relentlessly and ceaselessly drive nails into the wood framing…the sound of jobs…the sound of new homes in the making…the sound of a “healthy” economy.

So…I now have two more examples for my Neo-Topographic portfolio.

These new apartments or condos are going up along Airport Road, on the southwestern outskirts of Longmont. Note how Nature (here, as exemplified by that sliver of a glimpse of Longs Peak on the far horizon) is slowly being boarded up. The storm clouds are gathering–no coincidence. A “worm” or “snake” in the foreground tempts our eye into the image:

Longmont Construction, #1. Longmont, Colorado, 2017
Longmont Construction, #1. Airport Road, Longmont, Colorado, 2017


Here is another, very similar, view. We still have the storm clouds and Nature in the distant background slowly being extinguished but, to this composition, I add a hilly foreground that rhymes with Longs Peak in a certain way–they are both mountains of rock and dirt, but the former is a result of short-term human economic activity, the latter a very, very long-term project of the geologic forces–plate tectonics–of the Earth:

Longmont Construction, #2. Airport Road, Longmont, Colorado, 2017
Longmont Construction, #2. Airport Road, Longmont, Colorado, 2017

HUGE Photo-Poster and Flywheel Sports

Brooklyn Bridge, Nightscape #1. New York City, 2015
Brooklyn Bridge, Nightscape #1. New York City, 2015


I am very excited that I just licensed one of my images (above) to Flywheel Sports of New York City and, rather than on a typical website page, they used it in a most unusual way.

First, who is Flywheel Sports, you ask? Lets get that out of the way first.

Well, they are an up-and-coming sports-exercise company with a unique take on the more traditional stationary cycling classes you have probably already sweated, groaned, and screamed your way through. Flywheel has group cycling classes on high performance bikes that track exactly how hard you are working on a big “TorqBoard” for all to see (or not–your, and the instructor’s, prerogative). Looking at the numbers thus displayed, you can compete just with yourself, adjust your workout to your personal specific fitness goals, or you can compete against others. Groups can even compete against other groups…one Flywheel class versus another class…friends v. friends…enemies v. enemies. Upper body exercises can also be woven into the session. The competitive and motivational possibilities are limitless. And all of this accompanied by a super high-energy, pulsing, pounding musical sound track and top-notch super-fit instructors to keep you focused and majorly motivated.

For more on this…Slate Magazine did a nice report a few years ago on what this latest craze is all about and you can read it here: Flywheel: SoulCycling for the Truly Sadistic, April 10, 2013.

And here is a very recent (yesterday!) article/press release about their expansion plans: Flywheel Sports Announces Plan to Extend Studio Cycling Experience Into the Home, May 17, 2017.

It all sounds like a seriously fun and strenuous challenge (“Sounds dangerous. Count me in.” –Alan Shepard, in Top Gun). And since it may be coming to Denver soon, I just might get a chance to give it a whirl, so to speak.

Now, to the commercial use of the above abstract image of the Brooklyn Bridge…

They took my full file from the D800, which measures 7360 x 4912 pixels at 300 ppi (that’s a 24″ x 16″ print at 300dpi), and they blew it up…and  up…and up… and UP! They eventually stretched it into what looks like a 10-foot by 30-foot giant wall poster. Pretty impressive! Kudos to their art folks for recognizing the possibilities here–it’s all about depicting motion, movement, energy, and so on.

Of course, the fact that it was an abstract image gives the printer a lot of leeway when it comes to going BIG. A tack-sharp landscape might not look quite as good at this size (although up on a highway billboard, with a viewing distance measured in the hundreds of feet, it just might).

Here are a couple of snaps of the finished product, as it now appears in the new Flywheel building in Brooklyn:

Flywheel, #1. NY, NY, 2017 (Photo courtesy of Flywheel Sports)
Flywheel, #1. Brooklyn, NY, 2017 (Photo courtesy of Flywheel Sports)


Flywheel, #2. NY, NY, 2017 (Photo courtesy of Flywheel Sports)
Flywheel, #2. Brooklyn, NY, 2017 (Photo courtesy of Flywheel Sports)

An iPhone Postcard Landscape

Ominous Flatirons. Boulder, Colorado, 2017
Ominous Flatirons. Boulder, Colorado, 2017


From the sea back to the high mountains… and a local iconic (cliché?) postcard landscape for you from just above the Boulder Bubble, aka The Friendly People’s Republic of Boulder.

With my D800 and my 24-70mm lens off at Nikon for repairs (they were dropped some time ago…both still worked, but were pretty banged up), it is the iPhone that I have with me most often these days.

REPAIR UPDATE: It appears that my D800 is coming back from Nikon as “unrepairable” This means I will have to use the thing sans battery door and with a small pointy object always handy to pry the battery out of its slot each time I need to charge or change it. The camera still makes good images, though, even with the bashed batt compartment.